Antoine D’Agata
I do think of photography as a perfectly legitimate artistic language, but I believe it is underused or misused most of the time. The world is not made out of what we see but from what we do. Photographers who ignore this state of things—and today, as in the past, most of them do—reduce photography to its capacity for recording reality. They don’t take responsibility for their position while looking at the world and end up assuming voyeuristic, sociological or aesthetic stands. Contrary to writing or painting, you have to confront reality while photographing. The only decent way to do it is to make the best out of your own existence. From a moral point of view, you have to invent your own life, against fear and ignorance, and through the action. Intelligence and beauty don’t compensate for passivity. The only way to keep one’s dignity is to confront human condition and social context through direct action. It is a difficult balance one has to keep between the creation of situations to go through and the development of a narrative technique to share one’s perspective. In this process, life overcomes art at some point, and art perverts life. By deliberately living in this constant tension, I expect to go through existence without having to give up lucidity or experience.
Antoine D’Agata
FEAR, DESIRE, DRUGS AND FUCKING - Photographer Antoine D’Agata Lives a Life Less Ordinary - Vice Magazine
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